Mary Garoutte, “Sundown, Lincoln Street” (2015)
What strikes me most about Mary Garoutte’s urban landscape paintings is the way she highlights the play of light at the beginning and the end of days. These quiet periods that brim with potential, while also evoking a mixed sense of meditative loneliness and reflection, seem to be as much the subject matter of her work as are the historic houses and store fronts of Halifax, where she is based. Garoutte cites the Group of Seven artists and Wayne Thiebaud as among key influences on her art, which are evident in her choice of colors and the strong textural brush strokes on her canvases. Her wonderful art also brings to mind for me the feelings of solitude conveyed by Edward Hopper in his own paintings of dwelling places during the quiet hours.
More of Garoutte’s work can be seen on her artist website here and is also available through Argyle Fine Art.
Mary Garoutte, “Yellow Door (Falkland Street)” (2013)
Mary Garoutte, “100 Montague Street” (2015)
Mary Garoutte, “Dwellings (Light in the Window)” (2015)
Mary Garoutte, “Glass House” (2016)
Mary Garoutte, “Single Dweller” (2016)
Mary Garoutte, “Late Night Visit” (2016)
Mary Garoutte, “Red Bicycle, Young Street” (2014)
Mary Garoutte, “Sunset on Agricola Street” (2013)
Similar posts on O’Canada:
— Artist to Appreciate: Katharine Burns
— Stewart Jones’s Vivid Cityscapes