The Daring Canadian Pulps: Oh, My!

Spurred on by a wartime ban on the importation of non-essential foreign goods, including the lurid magazines from below the 49th parallel commonly referred to as “pulps”, the Canadian pulp magazine industry flourished during World War II and the decade after.  Like all good pulp publications, the featured stories often blurred the lines between fiction and reality and routinely served up tales that were risque, grisly, shocking and as often true as not.  Avid readers ate up this stuff!

Adding to its diverse holdings, Library and Archives Canada acquired in the late 1990s a core collection of pulp magazines dating back to the golden post-War era of such publications.  These cover images are from the Archives’s fascinating “Tales From the Vault” exhibition.  Of these covers, I think my favorite might be the fairly simple red-and-black layout above that promises dirt on a Vancouver cult and Winnipeg’s pock-marked Frankenstein. I’ll bite!

 

 

 

 

 

 

 

 

The Good Old Days: Rural Life in Vintage Postcards

Hay Making, Nova Scotia (about 1960)

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Out in the country people work hard, and back in the proverbial good old days they worked even harder.  Whether on a farm, a fishing village or in the forest, rural folk have always had to put their bodies and souls into their labors to eke out a living.

As these vintage postcards from the eastern parts of Canada attest they at least did so amidst beautiful settings.

River Saguenay at Chicoutimi, Quebec (about 1940)

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Ox Cart, Rural Quebec (about 1940)

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Spinning in Rural Quebec (1950)

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Back of Spinning in Rural Quebec (1950):   “Dear Ma – That’s you and me working. Lots of little farms and little houses here. Horses do most of the work. Farms are very small. In winter the men work in the lumber business, in summer farming. Women do fancy work in winter to sell it in the summer. Love Helen”

 

 

Similar posts in O’Canada:

⊕  Quebec Charm in Vintage Postcards

⊕  “Dear Auntie . . don’t be cross”: Scenic British Columbia in Old Postcards

⊕  Moonlit Views of Yesteryear Canada

William Kurelek and Winter on the Prairie

W. Kurelek, "Home on the Range" (1967)

W. Kurelek, “Home on the Range” (1967)

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On previous visits to the AGO in Toronto I’ve noticed William Kurelek’s paintings but for some reason his artwork stood out more notably on my most recent visit.  Perhaps this was because my trip there was during a week of extreme cold just before year-end and many of Kurelek’s scenes on display at the AGO are prominently set during the winter.

Kurelek’s parents were Ukrainian immigrants to Canada and settled in the prairie regions, initially in Alberta and later, after his parents lost their farm during the Great Depression, in Manitoba.  Winters can be harsh in much of Canada, but the vast unpopulated stretches of the country’s midsection make for a particularly stark cold season.  While a viewer of his paintings can find other themes in his work (for example, his Catholicism or the influence of Hieronymous Bosch in Kurelek’s “Harvest of Our Mere Humanism Years” below), the experiences of his family and his youth on the Canadian prairie permeate many of his paintings, often in dichotomies. Thus, one can glean the tough slogging of farm work during winter (such as in “Child With Feed in Winter” below) as well as the whimsy and high-spiritedeness of childhood even in the midst of endless snowscapes or the as yet unknowable worries of the adult world (such as with “Reminiscences of Youth” and “After the Blizzard in Manitoba”, both also below).

Kurelek was a prolific painter and other aspects of life on the Canadian prairies can be found in his extensive body of work, but at this time of the year his “winter works” speak most clearly to me.   The collaborative art site William Kurelek / The Messenger is a terrific resource for more background on this notable artist and his distinctively Canadian art.

W. Kurelek, “Reminiscences of Youth” (1968)

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W. Kurelek, “Untitled (Child With Feed in Winter)” (1967)

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W. Kurelek, “After the Blizzard in Manitoba” (1967)

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W. Kurelek, “Sunset Cape Dorset Airstrip” (1968)

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W. Kurelek, “Harvest of Our Mere Humanism Years” (1972)

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W. Kurelek, “Wintertime North of Winnipeg” (1962)

 

Similar Posts on O’Canada:

♦  Magical Winterscapes By Group of Seven

♦  Bob Pitzel’s Art of the Vanishing Prairie

♦  Retro Winter Recreation and Travel Ads

Vintage Cover Art: The Goblin

Prior to the great stock market crash at the end of the decade and the ensuing economic chaos, the prevalent mood of the 1920s in many places was upbeat and carefree. Magazine covers from the era typify this, including these fabulous illustrations from Canada’s Goblin, a monthly humor magazine.  Launched in 1921, it was in print for about ten years during which time its highly stylized, and at times witty, covers helped it to become Canada’s then most widely circulated magazine.

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(Image Source:  University of Toronto Archives)

Connectedness

Pebbles along Hampton Wharf Beach, N.S.

“Oh, but I can hear you, loud in the center / Aren’t we made to be crowded together . . .”

                                    ~ Robin Pecknold (Fleet Foxes), “Third of May” 

More pebbles on Hampton Wharf Beach, N.S.

Notes:  

1.  Kristina Boardman’s wonderful pebble paintings, which I highlighted in a post last year, inspired me to take these photos along the shore.  Her paintings show why even with the amazing capabilities of digital photography, masterful paintings by talented artists of a given subject capture an expressive element that photos can’t match.

2.  Fleet Foxes, one of my favorite folk-rock groups, after a several years’ hiatus released the album “Crack-Up” earlier this year, which contains the song from which the above quote is taken.  While the song is principally about Pecknold’s challenging relationship (like most!) with a close friend, like many Fleet Foxes songs it also contains some thoughtful ruminations on life.  For me, the line quoted above conveys nicely how we as people are meant to be social and connected, in varying degrees, and how goodness and purpose flow from that.   Song video below.

 

“Now! All Together”: Songs From Long Ago

Songbooks fascinate me, particularly when they highlight song variations from earlier times.  So while browsing through a dusty stack of materials in a used bookstore a few months ago I was drawn in by this 8-page vintage booklet of songs, which was printed as a promotion around 1930 by the Dominion Life Assurance Company of Waterloo, Ontario.

This bit of ephemera is spare of graphics and contains a wide variety of songs, including songs specific to Canada (such as “O Canada!” and “Alouette”), American standards (“Home on  the Range” and “She’ll Be Coming’ Round the Mountain”), and songs indicating the then closer historical connection to Great Britain (“God Save the King” and “Loch Lomond”).  A few of these have lyrics that would not be considered racially sensitive but presumably reflected the time back then.   It’s an interesting mix of tunes, many that I’ve not heard in ages and others for which I only knew a line or two of the lyrics.

(Click image to enlarge)

Similar posts on O’Canada:

Songs & Ballads From Nova Scotia

Regent Gas Station and Sleek Modern Design

Regent Gas Station (Left View), Toronto (1949),
Designed by John Parkin, Photo by Hugh Robertson

Although these vintage images only showcase a humble gas station they’re amazingly good! That’s because they combine the modernist industrial design of distinguished Toronto architect John Parkin and the often-dramatic photography of Hugh Robertson and his team at Toronto’s former Panda Associates firm, both of whom helped popularize modern design in Canada during the 1950s and 60s.

Regent Gas Station (Right View), Toronto (1949),
Designed by John Parkin, Photo by Hugh Robertson

A trove of other vintage architectural photos can be seen at the Panda Associates Digital Image Collection, Canadian Architectural Archives, which is maintained by the University of Calgary, and in the book John C. Parkin, Archives and Photography: Reflections on the Practice and Presentation of Modern Architecture (University of Calgary Press 2013).

(Image Credits:  Hugh Robertson/Panda Associates, Canadian Architectural Archives, University of Calgary)

Happy Canada Day 150!

Quiet Morning Along the Rocky Shore, Kejimkujik Seaside, N.S.

Happy Canada Day!  

As many know, throughout 2017 Canada has been marking its 150th anniversary as a confederation.   Of course, the history of the country is much richer and extends more than twice as far into the past. More notably, in recent years Canada has truly shined as a stellar example on the world stage.  Like any country, it has its issues but it generally gets a lot of things right and that resilient effort, its vibrant culture and its wonderful people deserve immense appreciation.

Best wishes on this day and in this year and for 150 more! 

The Calgary Stampede: “A Romping Rangeland Rumpus”

Calgary Stampede 1912Poster from First Calgary Stampede in 1912

Many people associate Calgary, affectionately nicknamed “Cowtown”, with its annual summer Stampede in the same way that a place like New Orleans is tied to Mardi Gras. The character of those places seems inextricably linked to these major civic festivals. Prior to the area’s post-WWII oil boom, Calgary was predominantly an agricultural area and held a traditional yearly agricultural fair called the Calgary Industrial Exhibition.

The Stampede was conceived in 1912 by an American rodeo promoter, Guy Weadick, as a way to add a cowboy-themed element to the fairly staid farm-focused Exhibition.   After some fits and starts the two events combined in 1923, with the Stampede under Weadick’s longtime guidance eventually overshadowing the Exhibition.   Ever since, the cowboy theme has stuck with Calgary even though agriculture, farming and ranching are now only a very small part of its economy.   This year’s Stampede will take place July 7-16 and, as can be seen on the official Stampede site, will be quite a spectacle with something to offer just about everyone.

 

 

 

Image Credits:  Calgary Stampede Archive, University of Calgary

Canadian Music Vibes: A Little Folk Rock, Alt Rock, Reggae, Traditional . . .

 

I truly love all sorts of music and I thought I might share a few tunes that showcase the wide diversity of offerings by Canada’s talented musicians. Since it’s always hard to choose favorites and there are way too many other performances — oh my gosh, so many good ones! — that I appreciate from this country, I’ll just note that the songs below are among those that I like a great deal because they inspire me, move me or just make me smile.

 

(The titles below are linked to YouTube videos.)

⇒Joni Mitchell, “The Circle Game”

⇒Neil Young (with The Band and Joni Mitchell), “Helpless” 

Leonard Cohen, “Hallelujah”

Johnny Osbourne & Bunny Brown, “Love Makes The World Go Round”

⇒Noel Ellis, Jackie Mittoo, Willie Williams & Jerry Brown, “Rocking Universally”

Gordon Lightfooot, “If You Could Read My Mind”

⇒Len, “Steal My Sunshine”

⇒Stompin Tom Connors, “Muleskinner Blues”

Alan Mills, “A La Claire Fontaine”

Alanis Morissette (with Salif Keita), “The Prayer Cycle Movement I – Mercy”

 

 

Photo Credits: Wikimedia Commons

“Dear Auntie . . . don’t be cross”: Scenic British Columbia in Old Postcards

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Postmarked July 12, 1921 (Note Is Below)

Back in the day writing letters and cards was the routine thing to do if you wanted to stay in touch with distant friends and relatives. Picture postcards also allowed the recipient vicariously to experience what the sender did and saw.  As suggested by the note below on one of these cards of British Columbia, the folks back at home expected a long form letter if possible and sending only a postcard from a trip was an occasion for an apology (being Canadians and all). 🙂

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Note Side of Card Above of Gorge Bridge, Victoria, B.C.

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Yoho Glacier, near Field, B.C. (About 1910)

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Simash Rock, Stanley Park, Vancouver, B.C. (About 1905)

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Seven Sisters, Stanley Park, Vancouver, B.C. (About 1910)

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Lynn Canyon Suspension Bridge, Vancouver, B.C. (About 1915)

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Fraser River, Yale B.C. (About 1910)

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Capilano Suspension Bridge, Vancouver, B.C. (About 1951)

Artist to Appreciate: Steven Rhude

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Steven Rhude, “On the Edge”

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Nova Scotia artist Steven Rhude is most often characterized as a realist painter, akin to Alex Colville and Christopher Pratt (both also from the Maritimes).  However, Rhude’s representational style is decidedly more nuanced.  A close examination of his works reveals an underlying splatter technique that is almost pointillist (and adds wonderful texture) as well as distinct aspects of whimsy and irony, all of which might be more appropriately regarded as a kind of magical realism.  His paintings prominently feature icons of the Atlantic provinces — dories, lighthouses, fishing sheds and buoys, among others — as signifiers of place, identity, memory and loss amidst ongoing changes affecting that region of the country, particularly since the early 1990s ban on cod fishing altered a centuries-old economic equilibrium for coastal communities where living has never been especially easy.

In discussing his early artistic training, Rhude has noted that while studying at the Ontario College of Art & Design one of his instructors urged him to first equip himself with a notepad and hiking boots and get out of the studio so as to write and interview people and thereby find authentic stories and experiences upon which to ground his art.   Reading Rhude’s humane and thoughtful ruminations about art and society on the blog associated with his professional website is a great pleasure and it’s obvious from his splendid writing that he took his instructor’s advice very much to heart.  Because of his skillful artistry, Rhude’s paintings of Nova Scotia, Newfoundland and other places are visually enjoyable and can be appreciated for that alone.  Even more special is that his beautiful images also convey important social commentary and add another layer of appreciation for his wonderful paintings.

You can see more of Steven Rhude’s excellent work and read some of his insightful writings on his website and blog and the related links to the galleries that represent his art.  Rhude’s book “A Place Called Away: Living and Painting in Nova Scotia” also showcases many of his paintings.

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Steven Rhude, “Towards Sibley’s Cove”

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Steven Rhude, “After the Storm”

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Steven Rhude, “Judy Takes Her Lighthouse For A Walk”

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Steven Rhude, “Expulsion,  The Final Cut”

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Steven Rhude, “Equilibrium # 3”

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Steven Rhude, “Finding Brigus Light”

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Steven Rhude, “Up On the Roof”

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Steven Rhude, “The Home Coming”

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Steven Rhude, “Lunenburg Shed in Guggenheim”

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(Image Credits: Steven Rhude)

Similar Posts on O’Canada:

David Pirrie: Mapping Western Terrains and Our Sense of Place

Artist to Appreciate:  Katharine Burns

Artist to Appreciate:  Christopher Pratt

Vintage / Mod Design: The City Bus

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City Bus on Vancouver Street (about mid-1950s)

Distinctive industrial design reveals itself in many ways and, when done well, can be a genuine pleasure to take in.   While the specialness of such design is often difficult to see in our contemporary surroundings, its otherwise subtle impact jumps out when looking back at vintage images. A case in point: the humble municipal bus, operated in Toronto, Montreal, Vancouver, Calgary and other cities across Canada.  Over this period theses buses began to display a very mod sensibility as they evolved from the severe boxiness of earlier 1930s and 1940s versions to later, during the 1950s through the 1970s, being adorned with more rounded contours, sleek curves and very stylized lines and chrome elements.

Mod Design: Vintage Postcards of Expo 67

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Canada Forestry and Paper Pavilion

With the Rio Summer Olympics being just around the corner this prompted me to ponder the differences between the Olympics and the World Fairs.  While both are cultural showcases that bring together people of many nations to good-naturedly preen about their countries, World Fairs seem more ad hoc than the more structured, media spectacle of the Olympics.

Coinciding with Canada’s centennial in 1967, Montreal hosted what is considered to be one of the most successful World Fairs, which was the first to adopt the “Expo” moniker by which all subsequent World’s Fairs have been named.  As attested by these postcards, the various national pavilions at Expo 67 served as grand displays for then cutting-edge, very “mod” design and innovation.

“You Haven’t Changed A Bit”: Astrid Blodgett’s Superlative Meditation on Relationships

 

Cover -- You Haven't Changed v.2

Astrid Blodgett’s recently published first collection of short stories, You Haven’t Changed A Bit  (Univ. of Alberta Press 2013), is stunningly well written.  As I finished the book for the second time, I reflected how these stories brought to mind Rainer Maria Rilke’s observation about how each of us cannot help but be a mysterious solitude in relation to one another and, most especially and paradoxically, to our closest loved ones.

Almost all the thirteen stories in this wonderful volume explore fissures in relationships — whether between spouses, partners, siblings, parent-child or friends — and the unspoken mental landscape that inexorably shapes those relationships.  Notably, most of these tales are told from the perspective of a female character, who mainly endure the emotional pain that accompanies varying degrees of psychic distance from a loved one.

A small sampling:  In “Don’t Do a Headstand” a visit by her husband’s pregnant teen niece highlights the growing and likely irreparable gap between the spouses.  “Zero Recall” explores the toxicity of a husband’s mistrust and the wife’s ensuing bitterness at being treated unfairly, both of which threaten the couple’s bond following an unfortunate mix-up at a blood donation center.  The realization by young adult friends that divergent life paths will impact their ties in “Let’s Go Straight to the Lake” is skillfully elicited by the piece’s authentic, slightly awkward dialogue and scene-setting. Several of Blodgett’s stories are especially poignant, particularly “Ice Break,” about fragile parent-child relationships and the weight of guilt from choices that can’t be undone.  This latter story is one that I’ve written about previously and compelled me to seek out more of Blodgett’s captivating writing.

In an effort to stick with my preference for conciseness, I’ll conclude by simply noting that each of the stories in You Haven’t Changed A Bit is a pitch-perfect gem, characterized by truly graceful and insightful writing by a talented writer who is worth every bit of your attention.

Astrid Blodgett

Astrid Blodgett

More information about Astrid Blodgett and her writings can be found at the author’s website here.

Early U.S.-Canada Political Cartoons

Given that Canada just had a memorable election and the U.S. is still in the throes of its year-plus presidential campaign marathon, this seems to be a good opportunity to interject a smidgen of politics into the mix.  But not too heavy —  so let’s look at some early pop culture.

I'll CatchPolitical cartoons depicting relations between Canada and the U.S. extend back to the founding days of both countries. The images depicted here, from the late 1890s through early 1900s, mostly play on a recurrent theme of the U.S. being attentive or aligned with Canada for reasons that were alternately virtuous or of a more self-interested intention.  With Canada then still firmly part of the British Empire, Britain also figured prominently in many such scenes from this period.

Dangerous

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Flirtation

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Pertinent

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Money Bags

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aQuestion-of-Time

They’re Giving Away Land!

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Back in the day, Canada needed more people to build up its country and, in particular, in its vast western inland plains. With lots of land and not so many people, the federal and provincial governments and land companies starting in the late 1800s on into the early twentieth century launched  recruitment campaigns  around the world, especially in Europe, with the lure of free land grants and the potential for prosperity.  The distance was far and farm life was (is!) tough, but the appeal drew many new immigrants to Canada’s west.   I love the variety and details in some of these posters! (Click on images to enlarge)

Whack A Canadian

Whack-a-Canadian

A weekly treat is reading through each new issue of The New Yorker, one of my all-time favorite magazines because it is so consistently excellent.  Its cartoons are an indispensable hallmark of the magazine’s style and, over the years, its cartoonists occasionally have focused their good-natured humor at Canadians or Americans’ general (mis)perception of Canada.

In keeping with that tradition, the most recent issue of The New Yorker includes the above cartoon by P.C. Vey playing on the notion of Canadian politeness.  It’s funny but probably goes a bit too far — yes, Canadians are generally polite but certainly not pushovers.  Of course, it’s all in good fun and not to be taken too seriously.  As previous commenters about such cartoons have noted, if you have to have a reputation, that of being overly polite isn’t a bad one to have.

Image Credit: P.C. Vey, The New Yorker

Related posts on O’ Canada:

More American Cartoons on Canada

Another Amusing Take on Canadian Politeness

“You First. I Insist”:  A Canadian Standoff

In Memory of Cpl. Nathan Cirillo & W.O. Patrice Vincent

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Cumberland County Soldiers Memorial, Amherst, N.S.

What a sad and tumultuous past week it’s been for Canada.  South of our shared border our hearts go out in sorrow and sympathy to the country and the families of slain Canadian Forces members Corporal Nathan Cirillo and Warrant Officer Patrice Vincent.   May they rest in peace.

(I had been saving this image to post on Remembrance Day, but now seems as fitting.)

The Orenda and the Constant of Change

 

The Orenda

Oh, that bittersweet feeling of finishing a good book that not long before was a welcome and constant companion!   So it is with my having just finished Joseph Boyden’s The Orenda, a gripping epic set around the mid-1600s during the time of first contact between First Nations people and Europeans in what would become Canada.   The Wendat, or Huron, people, who are one of the principal subjects of this book, believed that each of us and every thing is endowed with an “orenda” or life force, and, so it is, more broadly, with cultures.

Not surprisingly, The Orenda was the top choice in the 2014 Canada Reads competition and good reviews abound for this riveting novel (for instance here on GoodReads).  So, rather than pen another, below is a brief excerpt that encapsulates one of the deep philosophical themes underlying the drama that unfolds within its pages. Throughout my reading of Boyden’s poetic work my thoughts continually dwelled on how this snapshot of a not-too-distant earlier time aptly reflects the concepts found in Buddhism, Hinduism and some other spiritual traditions  of samsara (the cycle of birth, death and re-creation), change and suffering, each of which are constants in our world and in the clash of civilizations throughout history.

“Success is measured in different ways.  The success of the hunt.  The success of the harvest.  For some, the success of harvesting souls.  We watched all of this, fascinated and frightened.  Yes, we saw all that happeed and, yes, we sometimes smiled, but more often we filled with fret.  The world must change, though.  This is no secret.  Things cannot stay the same for long.  With each baby girl born into her longhouse and her clan, with each old man’s death feast and burial in the ossuary, new worlds are built as old ones fall apart.  And sometimes, this change we speak of happens right under our noses, in tiny increments, without our noticing.  By then, though, oh, by then it’s simply too late.

“Yes, the crows continued to caw as crows are prone to do, and after a while we got used to their voices even when they berated us for how we chose to live.  Some of us allowed them their cackling because we found it entertaining, others because we believed our only choice was to learn how to caw ourselves.  And still others kept them close for the worldly treasures their masters promised.

“It’s unfair, though, to blame only the crows, yes?  It’s our obligation to accept our responsibility in the whole affair.  And so we watched as the adventure unfolded, and we prayed to Aataentsic, Sky Woman, who sits by the fire right beside us, to intervene if what we believed was coming indeed coalesced.  But Aataentsic only need remind us that humans, in all their many forms, are an unruly bunch, prone to fits of great generosity and even greater meting out of pain.”

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Canada-U.S. Friendship Postcard and Stamps

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While bridges literally connect places, they also serve as a wonderful metaphor for connectedness between people and cultures.  I have a collection of old postcards depicting various Canadian bridges that I plan to post shortly.  Of these — especially during this week that includes the Canada Day and Independence Day holidays — the one that I feel best displays the connectedness idea is this postcard from around 1959 of the Thousand Islands International Bridge between southern Ontario and upstate New York.

The original holder of this card added a nice touch by including three very appropriate postage stamps to the front: the 4¢ Canadian and 5¢ American joint-issue stamps from 1959  marking that year’s opening of the St. Lawrence Seaway and an older 1948 U.S. 3¢ Century of Friendship stamp, which fittingly shows a bridge between the two countries over the Niagara River (first spanned in 1848; additional background can be found here).

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Similar posts on O’Canada:

Cool Little Squares:  Vintage Canadian Postage Stamps

Ever Bustling Early 20th Century Toronto

Vintage Quebec:  Ox Carts, Dog Carts and Sleighs

 

Cheeky Humor of Vintage Canadian Tire Catalogues

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Wherever you go in Canada, you’re probably not far from a Canadian Tire location, a retailer that carries auto parts, sporting goods, hardware and some appliances, clothing and all manner of other goods.  Canadian Tire is so popular it even has its own pseudo-currency — Canadian Tire Dollars — that are both usable and collectible.  Many of the retailer’s older advertisements featured humorous bits — some slightly suggestive — as illustrated by these Spring and Summer catalogs across the years. (I’ll post later some others from Fall and Winter editions of the C.T. catalogs.)

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Pam Hall’s “Apron Diaries”

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Aprons in the Wind, Port Rexton, Newfoundland, From Pam Hall’s “Apron Diaries”

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Pam Hall is among the highly imaginative artists showcased at a current exhibition (through June 1) of contemporary art from the rugged province of Newfoundland at the McMichael Canadian Art Collection in Ontario.

That exhibition led me to Hall’s  “Apron Diaries”, a series of  installation works around the Trinity and Bonavista areas of Newfoundland in which she displays collections of aprons at worksites (such as upon fish flakes for drying salted cod or hanging at a local bakery or at a fisheries plant) as a celebration of the often unsung labor of women.   Images of wind-fluttered aprons affixed to weathered fish flakes are particularly colorful and moving (literally) tributes to women’s essential work roles in their communities. Pam Hall, Apron Diaries 2

Aprons on a Fish Flake, From Pam Hall’s “Apron Diaries”

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Aprons Festooned at a Fisheries Plant, From Pam Hall’s “Apron Diaries”

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Baking Amidst Aprons, From Pam Hall’s “Apron Diaries”

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More Colorful Aprons on a Fish Flake, From Pam Hall’s “Apron Diaries”

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More about Hall , her siteworks and other art can be found at her website here.

(Image Credits:  Pam Hall)

Mother’s Day Homage: The Wilcox Family Gravestones

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 Base of Gravestone of Susan Wilcox (1834-1918), “Mother”

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The sorrows of motherhood and the difficulty of raising children safely to adulthood more than a century ago were poignantly brought to mind by a grouping of gravestones I happened upon last Fall in the cemetery of the old Pembroke Chapel (originally Methodist and later a United Church) in Pembroke, Nova Scotia.

Situated beside the gravestones for Susan Wilcox (1834-1918) — prominently marked “Mother” — and her husband, Nathan (1827 -1899), are markers for five of their children, each of whom predeceased their parents:  Cyrus, who it’s noted “Drowned At Sea”, aged 27 years, 1887;  Norman F., aged 2 yrs. 7 mos., 1861; Annie E., aged 13 mos., 1871; Frederick W., aged 1 yr., 1873; and Cora M., aged 1 day, 1877.

My curiosity prompted a search of old genealogical records here, which revealed that Susan and Nathan Wilcox had a total of 11 children (born between 1859 to 1880) — quite a brood!  Families were larger then partly because additional helping hands were needed and life was understood to be more precarious.   To lose a child is an unbearable thought for any parent and to have five leave this world before either parent sounds utterly tragic.  Even though they had six children that survived them and considering that many things about life being very tough may have been taken in stride back then, I imagine that this mother and father must have endured an immense measure of grief.

Thus, this homage to motherhood and Mother’s Day and a reminder to be thankful for family, friends and other loved ones, as well as to treasure each of our precious days (on Mother’s Day and beyond).

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Gravestones for Nathan and Susan Wilcox Family, Pembroke, Nova Scotia

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 Markers of Norman F., Annie E., Frederick W. and Cora M. Wilcox

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 Markers of Cyrus Wilcox and his mother, Susan Wilcox

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Old Pembroke Chapel, Pembroke, Nova Scotia

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Similar posts on O’Canada:

* Saint John’s Transcendent Old Loyalist Burial Grounds

* Halifax’s Beautiful Old Burying Ground

* Canada’s Oldest Regular Cemetery:  Garrison Cemetery, Annapolis Royal, N.S.

Vintage Quebec: Ox Carts, Dog Carts and Sleighs

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A Dog Cart in Quebec (late 1940s/early 1950s)

Much of Quebec has long had a rural character.  As shown in these vintage postcards, the province’s resourceful people would routinely enlist their animals — even dogs! — in the daily chores.

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Rural----Ox-Cart-1

Ox Cart in Rural Quebec (late 1940s/early 1950s)

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Rural----Winter-Sleigh

Sleigh in Winter in Montreal (postmarked Apr. 3, 1911) — Note on card reads in part: “Dear Father,  This is what they are doing way up here in April.   It thaws very little even yet.  .  .  .  With love, H.K.I.”

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Rural----Ox-Cart-2

Another Ox Cart in Rural Quebec (late 1940s/early 1950s)

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Similar posts on O’Canada:

* When Motels Were Newer and Grander

* Early 1900s Town Markets

* Moonlit Views of Yesteryear Canada

* Pastoral Splendor on the Ile de Orleans

 

When Motels Were Newer and Grander

wPicardie-Motel,-Quebec

Lovely watercolor effect, simple signage and lines, very retro!

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From the 1920s to the early 1960s, the automobile led the way to leisurely road trips and the chance for a quick getaway down newly paved  highways across Canada and the U.S.  The cozy roadside motel filled the need  for an affordable, convenient place for the weary driver and family to kick back and relax in relative luxury with then modern conveniences (such as showers in each room, radio, TV and Hi-Fi!), as these vintage postcards attest.

Early 1900s Town Markets

These colored photo postcards from the early 1900s highlight the importance of town markets as hubs of community activity.  Lots of horses and wagons, ladies in long dresses and men in dark hats and not an automobile in sight.

wHalifax-Market,-N.S.

Postmarked October 6, 1910, Reads: “Dear Cousin, I have not received any letters from you, nor from Oscar. Hope you will write to the above address and by the time I return here, there will be many letters.  Kind Love, Edgar”

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wMarket,-Brockville,-Ont.

No postmark, but likely around 1910; No note

wBonsecours-Market,-Montrea

Postmarked September 8, 1909; No note

 Similar posts:

Moonlit Views of Yesteryear Canada

Vintage Postcards: Canadian Churches

 ♦ Whimsical Wednesday: Vintage 7 Day Kisses

More American Cartoons On Canada

I enjoy the diversion of witty cartoons (especially those in The New Yorker magazine), and I’ve posted previously about funny cartoons that comment on American perceptions and stereotypes about Canada (for example, here and here).  Below are a few others that may provide for some amusement.

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This one deals with the general lack of knowledge about Canada by many Americans:

What part of Canada . . .

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Americans know they share many similarities with Canadians and might be happy to think that’s true in all respects but every now and then something will remind otherwise — such as the finishing of a sentence with an “eh?” or a different pronunciation of a common word (like “about” pronounced as “aboot”) — even if they can’t put their finger on it:

wYou-seem-familiar-.-.-.

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Of course, there’s the widely held perception of Canadians as being polite to a fault:

Canadian Mob

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This one, while showing two Canadian politicians, plays on the notion held by many Americans of U.S. “exceptionalism” and the idea that Canada doesn’t often register with many Americans:

scan0002

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And . . . there’s the word “about” again:

Canadian CSI

(Image credits to the various cartoonists: Liam Walsh, D. Reilly, P.C. Vey, Paul Noth, Dan Piraro)

Backwoods Lumbering During the 1880s

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I recently came across a reprint of Picturesque Canada (ed. by George M. Grant), a two-volume compendium originally published in 1882 of Canada’s history, people and places.  These marvelous books feature hundreds of intricate wood engravings that bring to life with vivid imagery the then still new and developing confederation.  These illustrations of the lumber trade depict the hardships of that way of life, with most of these also seeming to associate that occupation with the extra harsh conditions of winter, which is fitting for the cold weather that is now creeping in up north. (Click images to enlarge.)

Chopping and Sawing

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A Jobber's Shanty; Marking Logs at Skidway

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Arrival of Supply Train at Lumber Depot___

A Sawmill in the Backwoods

Remembrance Day and the Home Front

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Red poppies already adorn many a chest and collar on each side of the border as a lead up to Monday when the U.S. marks Veteran’s Day and Canada observes Remembrance Day.   Both occasions mark and honor the difficult sacrifices made by our respective veterans in service to their country.  These vintage wartime posters from World War I remind us that the reach and privations of the war that prompted the first Remembrance Day extended, as most wars do, to the home front as well.

(Poppy Image Credit: Wikimedia Commons)

Canada Dry’s Cross-Cultural Appeal

Canada Dry -- Sparkling

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I remember as a child that we would drink Canada Dry Ginger Ale about as often as we drank Coca Cola.  Originated in Canada and adopted by America, the Canada Dry brand serves as a cultural bridge between our two countries.  Canada Dry Ginger Ale was created in 1890 by John J. McLaughlin, an Ontario pharmacist, and for a few decades thereafter this effervescent beverage was mainly a Canadian regional drink.  (Coincidentally, Coca Cola was also concocted a few years before in 1886 by a pharmacist, John Pemberton.)  Once its popularity spread to the U.S. around the 1920s, it eventually became a major American brand as attested by this assortment of vintage advertisements.

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