Marshes in the Minas Basin, Looking Toward Cape Blomidon, N.S.
Marshes in the Minas Basin, Looking Toward Cape Blomidon, N.S.
Steven Rhude, “On the Edge”
Nova Scotia artist Steven Rhude is most often characterized as a realist painter, akin to Alex Colville and Christopher Pratt (both also from the Maritimes). However, Rhude’s representational style is decidedly more nuanced. A close examination of his works reveals an underlying splatter technique that is almost pointillist (and adds wonderful texture) as well as distinct aspects of whimsy and irony, all of which might be more appropriately regarded as a kind of magical realism. His paintings prominently feature icons of the Atlantic provinces — dories, lighthouses, fishing sheds and buoys, among others — as signifiers of place, identity, memory and loss amidst ongoing changes affecting that region of the country, particularly since the early 1990s ban on cod fishing altered a centuries-old economic equilibrium for coastal communities where living has never been especially easy.
In discussing his early artistic training, Rhude has noted that while studying at the Ontario College of Art & Design one of his instructors urged him to first equip himself with a notepad and hiking boots and get out of the studio so as to write and interview people and thereby find authentic stories and experiences upon which to ground his art. Reading Rhude’s humane and thoughtful ruminations about art and society on the blog associated with his professional website is a great pleasure and it’s obvious from his splendid writing that he took his instructor’s advice very much to heart. Because of his skillful artistry, Rhude’s paintings of Nova Scotia, Newfoundland and other places are visually enjoyable and can be appreciated for that alone. Even more special is that his beautiful images also convey important social commentary and add another layer of appreciation for his wonderful paintings.
You can see more of Steven Rhude’s excellent work and read some of his insightful writings on his website and blog and the related links to the galleries that represent his art. Rhude’s book “A Place Called Away: Living and Painting in Nova Scotia” also showcases many of his paintings.
Steven Rhude, “Towards Sibley’s Cove”
Steven Rhude, “After the Storm”
Steven Rhude, “Judy Takes Her Lighthouse For A Walk”
Steven Rhude, “Expulsion, The Final Cut”
Steven Rhude, “Equilibrium # 3”
Steven Rhude, “Finding Brigus Light”
Steven Rhude, “Up On the Roof”
Steven Rhude, “The Home Coming”
Steven Rhude, “Lunenburg Shed in Guggenheim”
(Image Credits: Steven Rhude)
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Abandoned barns, decrepit factories and broken down equipment fascinate me. I ponder the stories behind these once highly functional things that now rest in a decaying state. As testament to the utility of the wheel, the circular form is often present in such man-made landscapes. There’s also the mystery, mundane though it may be, about why particular discarded objects come to be abandoned in a given place and usually piled together randomly with other well-worn debris. The unkempt farm field, the ramshackle shed off to the side of a property or the makeshift junkyard along an overgrown path all withhold such stories.
These photos of old farm equipment are from just such a place alongside a back-country road I happened upon early one morning near Granville Ferry, N.S.
Blossoming Peach Grove, Wolfville, N.S.
“The world is full of magic things, patiently waiting for our senses to grow sharper.”
~ William Butler Yeats
Not far from the Bay of Fundy shore of the northern Annapolis Valley sits this very old and humble Baptist church. The colored glass windows are adorned simply with a subtle yellow-hued cross motif and a few complementary colors in the other panes. Every weathered detail of its cedar-shingle exterior and its intimate understated interior testifies to its long history and the many lives and life-stories that have been shared within.
Moose River, Clementsport, N.S.
Annapolis Royal occupies a special place in both the far western part of Nova Scotia’s Annapolis Valley and the province’s history. Situated on the sweeping Annapolis River, the site was originally called Habitation at Port-Royal by French settlers around 1605 and was the capital of French Acadia. In 1710, the settlement became the first capital of Nova Scotia during British rule. The charm of this small town is typified by its wide variety of doors and entryways, many of which hint at the town’s early history and its seaside heritage. Here’s a sampling from a recent stroll on a brisk fall day.
Walking along a backroad trail in Harbourville, Nova Scotia near the Bay of Fundy shore these small flowers hugging the ground caught my attention. While their more commonly known and larger floral cousins (such as roses, tulips, lilies and the like) may receive more attention, the abundance of these tinier, prosaic blooms poking their vibrant colors through rocky terrain and from under scattered logs provides a perfect backdrop for a hike close to the water on a lazy summer day.
I like vintage signs a great deal, especially classic neon displays that have been well preserved. These shots taken yesterday show The Acadia Theatre in Wolfville, Nova Scotia, which is graced with a magnificent masterpiece of neon and signage art above its entryway. The triangular sign juts out from the building’s facade with “ACADIA” in bright yellow on two sides and white and yellow neon accent lines all around and a bold neon yellow star encircled atop the front.
Built in 1911, this Annapolis Valley theatre has been through several incarnations and now houses a cinema and stage for community theatre (the Al Whittle Theatre), a film society (the FundyFilm Society), a local coffee shop / cafe (Just Us!) and an art gallery (Jack’s Gallery). More info can be obtained at the Acadia’s site here.
Some other posts about signs on O’Canada:
Tiller Wheels, Northville Farm Heritage Center, Northville, N.S.
With its fertile plain shielded from the Bay of Fundy by a low-lying but extensive mountain range, the Annapolis Valley has long been the farming center of Nova Scotia. Because of this, there are several places devoted to preserving and sharing that heritage. Although the Ross Farm Museum in New Ross, N.S., probably gets more attention (and about which I’ll post at another time), the Northville Farm Heritage Center in Northville, N.S. (close to Centreville, N.S.), which we came across while on a meandering late Fall drive through the Valley, has a wonderful display of old farm tractors, machinery and other implements situated in an especially scenic area of the Valley. It’s worth making the effort to find!
Trusty Rusty Tractor, Northville Farm Heritage Center, N.S.
Massey Harris Tractor, Northville Farm Heritage Center, N.S.
Some Other Farm-Related Posts on O’Canada:
Rustic Red Barn, Near St. Croix Cove, Nova Scotia
Scenery does not get more picturesque than a rustic barn or cozy cottage situated against a body of moving water or a lush green field. While hues of red seem to be the color of choice for barns and barn doors along the maritime coast and nearby farm fields, shades of grey, blue, yellow and a few other colors sometimes sneak in. These barns, sheds and cottages from around Nova Scotia and New Brunswick are typical of the serene coastal and rural scenery throughout the region. (Click on image to enlarge.)
In the Okanagan Valley of British Columbia, the Annapolis Valley of Nova Scotia and many places in between, Fall is harvest time from coast to coast for Canada’s rich variety of apples. That variety is also reflected in the colorful artistry of numerous vintage apple crate labels — such as the incredible OgoPogo one above — which recently caught my eye and which I thought would be worth collecting here to share. (You can click through the slides below.)
In late September, my wife and I visited Nova Scotia and spent most of our time around Wolfville and the surrounding area in the Annapolis Valley region of the province. Wonderful time spent exploring Nova Scotia’s farm country so close to the sea. Some of our pics below.