“Dear Auntie . . . don’t be cross”: Scenic British Columbia in Old Postcards

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Postmarked July 12, 1921 (Note Is Below)

Back in the day writing letters and cards was the routine thing to do if you wanted to stay in touch with distant friends and relatives. Picture postcards also allowed the recipient vicariously to experience what the sender did and saw. ¬†As suggested by the note below on one of these cards of British Columbia, the folks back at home expected a long form letter if possible and sending only a postcard from a trip was an occasion for an apology (being Canadians and all). ūüôā

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Note Side of Card Above of Gorge Bridge, Victoria, B.C.

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Yoho Glacier, near Field, B.C. (About 1910)

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Simash Rock, Stanley Park, Vancouver, B.C. (About 1905)

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Seven Sisters, Stanley Park, Vancouver, B.C. (About 1910)

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Lynn Canyon Suspension Bridge, Vancouver, B.C. (About 1915)

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Fraser River, Yale B.C. (About 1910)

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Capilano Suspension Bridge, Vancouver, B.C. (About 1951)

Artist to Appreciate: Steven Rhude

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Steven Rhude, “On the Edge”

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Nova Scotia artist Steven Rhude is most often characterized as a realist painter, akin to Alex Colville and Christopher Pratt (both also from the Maritimes). ¬†However, Rhude’s representational style is decidedly more nuanced. ¬†A close examination of his works reveals an underlying splatter technique that is almost pointillist (and adds wonderful texture) as well as distinct aspects of whimsy and irony, all of which might be more appropriately regarded as a kind¬†of magical realism. ¬†His paintings prominently feature icons of the Atlantic provinces — dories, lighthouses, fishing sheds and buoys, among others — as signifiers of place, identity, memory and loss amidst ongoing changes affecting that region of the country, particularly since the early 1990s ban on cod fishing altered a centuries-old economic equilibrium for coastal communities where living has never been especially easy.

In discussing his early artistic training, Rhude has noted that while studying at the Ontario College of Art & Design one of his instructors urged him to first equip himself with a notepad and hiking boots and get out of the studio so as to write and interview people and thereby find authentic stories and experiences upon which to ground his art. ¬† Reading Rhude’s humane and thoughtful ruminations about art and society on the blog associated with his professional website is a great pleasure and it’s obvious from his splendid writing that he took his instructor’s advice very much to heart. ¬†Because of his skillful artistry, Rhude’s paintings of Nova Scotia, Newfoundland and other places are visually enjoyable and can be appreciated for that alone. ¬†Even more special is that his beautiful images also convey important social commentary and add another layer of appreciation for his wonderful paintings.

You can see more of Steven Rhude’s excellent work and read some of his insightful writings on his website and blog and the related links to the galleries that represent his art. ¬†Rhude’s book “A Place Called Away: Living and Painting in Nova Scotia” also showcases many of his paintings.

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Steven Rhude, “Towards Sibley’s Cove”

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Steven Rhude, “After the Storm”

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Steven Rhude, “Judy Takes¬†Her Lighthouse For A Walk”

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Steven Rhude, “Expulsion, ¬†The Final Cut”

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Steven Rhude, “Equilibrium # 3”

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Steven Rhude, “Finding Brigus Light”

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Steven Rhude, “Up On the Roof”

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Steven Rhude, “The Home Coming”

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Steven Rhude, “Lunenburg Shed in Guggenheim”

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(Image Credits: Steven Rhude)

Similar Posts on O’Canada:

‚ÄĘ David Pirrie: Mapping Western Terrains and Our Sense of Place

‚ÄĘ Artist to Appreciate: ¬†Katharine Burns

‚ÄĘ Artist to Appreciate: ¬†Christopher Pratt

Bob Pitzel’s Art of the Vanishing Prairie

B. Pitzel, Redline (2009)

Our fresh snow cover here this morning sent me looking for some wintery inspiration, which I happily found in the wistful watercolors of Saskatchewan artist Bob Pitzel. ¬†Pitzel’s art captures the stark and vanishing rural landscapes of western Canada, typified by imposing grain elevators, graying farmhouses and sheds that dot wide expanses of ¬†prairie, and weathered fences erected more as barriers against the elements than to fence in or out people or creatures.

While Pitzel’s subject matter ranges beyond winter settings, it struck me while surveying his masterful work that many of his scenes are rendered with the coldest of seasons as a central element. ¬†In the biography on his site, I love the ethos of humility, practicality and community that he expresses when noting that given the remoteness of rural life “we had to help ourselves out of the corners our inexperience got us into.” ¬†More broadly, the following observation¬†by Pitzel¬†suggests some further inspiration for the muted emotional feel and sense of isolation conveyed in much of his winter-themed art: ¬†“As the human race, we fool ourselves that we’re in control. But look at global warming, and history. At the end of the day, we’re only spectators.”

More about Pitzel and his wonderful watercolors can be found on his artist site here.

B. Pitzel, Trackside (2014)

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B. Pitzel, Deep Snow and Treeline Study (2010)

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B. Pitzel, Fresh Snow (2012)

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B. Pitzel, Pioneer Grain, Lake Lenore (2007)

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B. Pitzel, Maybe We’ll Start Her Up in Spring (2007)

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B. Pitzel, No Glass Left (2005)

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B. Pitzel, Six in a Row (2014)

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B. Pitzel, Fuel Storage (2005)

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B. Pitzel, Regular or Premium (2016)

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Toronto Loves Public Art!

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“Large Two Forms” (1966 & 1969), Henry Moore

Toronto’s diversity is reflected in the wide array of public art, especially sculpture, that can be seen on block after block in its downtown core. ¬†Encounters with public art as we hustle from place to place provide moments for reflection and inspiration and help to remind us of our connections to deeper things and to one another.

These pieces from out and about merely scratch the surface of the city’s offerings. (I forgot to get the titles for a couple of these pieces.)

Angela Carlsen’s Retro Americana Art

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Angela Carlsen, “Boulevard Drive In”

If you take creative photography, neon signs and other roadside kitsch and mix them together with a retro-pop art sensibility, for me that’s a winning formula and is the approach taken by Nova Scotia-based artist, Angela Carlsen with her artwork. ¬† Much of her recent mixed media art focuses on bygone Americana as a result of her road trips over the last few years through the American West. ¬† Vanishing roadside relics, such as those depicted in this sampling, comprise a significant part of both the Canadian and America car cultures, and her work serves as a fitting artistic bridge between them.

You can see more of her retro art at Carlsen’s artist site here. ¬†She’s also represented by Argyle Fine Art in Halifax.

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Angela Carlsen, “Copper Manor Motel”

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Angela Carlsen, “Fresh Donuts”

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Angela Carlsen, “Supai Motel”

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Angela Carlsen, “Four Winds Motel”

Related posts on O’Canada:

Artist to Appreciate: Katharine Burns

Artist Appreciation: Andrew Horne

Vintage Quebec: Helen’s Motel

—¬†Acadia Theatre’s Classic Neon Splendor!

Broke-Down Farm Equipment

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Abandoned barns, decrepit factories and broken down equipment fascinate me. ¬†I ponder the stories behind these once highly functional things that now rest in a decaying state. As testament to the utility of the wheel, the circular form is often present in such man-made landscapes. ¬†There’s also the mystery, mundane though it may be, about why particular discarded objects come to be abandoned in a given place and usually piled together randomly with other well-worn debris. ¬†The unkempt farm field, the ramshackle shed off to the side of a property or the makeshift junkyard along an overgrown ¬†path all¬†withhold such stories.

These photos of old farm equipment are from just such a place alongside a back-country road I happened upon early one morning near Granville Ferry, N.S.

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Related Posts:

— Andrea Kastner and Rejected Things

— Scenic Northville Farm Heritage Center, Annapolis Valley, N.S.

— Old Farm Tractor Along Charlevoix / St. Lawrence Shore

Artist to Appreciate: Katharine Burns

k-burns-perfect-dayKatharine Burns, “Perfect Day”

Capturing in a painting the emotion of the coastal landscape is a tricky thing and something that Halifax-based artist, Katharine Burns, has managed to do perfectly. Inspired by the serenity of Nova Scotia’s beautiful shores (one of my favorite places!), she skillfully renders the¬†movement of ocean waves, with varying shades of light dancing across the water’s constantly shifting surface beneath vast expanses of cloud-covered skies. ¬†This past August, Burns had her first (of what I’m sure will many other) well-deserved solo show, this one entitled “Sea Level” and held at Argyle Fine Art in Halifax, which showcased many of her seascapes.

On her artist site she notes: “Preparing for my first solo show was one of the hardest things I’ve done. ¬†For six months I went through periods of serious self doubt and frustration along with some¬†moments of sudden realization and¬†inspiration. ¬†It was a bit of a rollercoaster for me emotionally but I learned a lot and grew as an artist.” ¬†You have to root for that sort of spirit and candor!

In addition to Burns’ evocative seaside paintings, her other work is also terrific. ¬†I especially like the painterly style of her series of bicycle paintings, a few of which are below. ¬†More of her art can be seen on Burns’ artist site here.

[As an side, much like the Ian Tan Gallery on Canada’s West Coast, Argyle Fine Art on the East Coast has a stellar roster of emerging and established Canadian artists and both are among my favorite independent art galleries. ¬†As I’ve done with some Ian Tan Gallery artists, this is the first of several posts I’ll be doing on a few artists represented by Argyle whose work deserves greater attention.]

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Katharine Burns, “Diffused Light”

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Katharine Burns, “Glisten”

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Katharine Burns, “Lawrencetown”

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Katharine Burns, “Road Racer”

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Katharine Burns, “Linus”

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Katharine Burns, “Bicycle Series 2”

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Katharine Burns, “Marginal Road”

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Related Posts on O’Canada Blog:

Lyssa Kayra’s Inspired Tree Ring Art

Intricate Pebble Paintings by Kristina Boardman

David Pirrie:  Mapping Western Terrains and Our Sense of Place

Andrea Kastner and Rejected Things

Artist to Appreciate: Richard Ahnert

The Ancient Prayers of Compline

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I’m definitely an amateur photographer at best. ¬†So I was pleased to be asked recently to¬†allow a photo I’d taken of a simple, well-worn pew inside an old church on the Nova Scotia shore¬†to be used for a poster for an upcoming concert ¬†by Acadia University’s distinguished Manning Chapel Choir. ¬†Of course, I was more than happy to do so (and the request ¬†made my day)!

The sunset concert of Compline, or night prayers, will be sung, appropriately, in a former old church in the small town of Harbourville on the Bay of Fundy about a week before Canada’s Thanksgiving Day. ¬†The concert poster is above and the original blog post and series of photos that prompted the request is here. ¬†More about the concert and the Manning Chapel Choir can be found here.

Green With Envy

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Headstones, Old Burying Ground, Halifax

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Given its immense size, Canada is blessed with vast forests, sprawling farms and sweeping fields all of green. ¬†Adding to previous posts featuring red- and blue-themed photo galleries, this collection showcases many shades of green that I’ve encountered through my photos from coast to coast across Canada.

For the Love of Old Barns

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Rustic Barn with Red Doors, Windows and Roof, Ile d’Orleans, Quebec

“I’m so glad you’re here . . .¬†

It helps me realize how beautiful my world is.”

                                                              ~ Rainer Maria Rilke

Journey-Work of the Stars

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Looking across the Harbour, Stanley Park, Vancouver, B.C.

“I believe a leaf of grass is no less

than the journey-work of the stars . . . .”

                                               ~ Walt Whitman

Andrea Kastner and Rejected Things

A. Kastner, Progress (2014)

Andrea Kastner, Progress (2014)

Andrea Kastner is an up-and-coming young painter whose¬†art deals with what she calls the “sacred nature of rejected things” and the stories that underlie society’s no longer useful objects, structures and places. ¬†The scenes she paints are ones that are readily familiar in urban landscapes across Canada and the U.S., with the constancy of the old being torn down or pushed aside as detritus to make way for the new.

Kastner is originally from Montreal, studied art in New Brunswick and Alberta and ¬†until recently was based in Hamilton, Ontario. ¬†She is now located in the creative town of Iowa City, Iowa. ¬†More of Kastner’s ¬†terrific work can be seen at her artist website here.

A. Kastner, Noah's Ark (2013)

Andrea Kastner, Noah’s Ark (2013)

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A. Kastner, The One That Got Away (2013)

Andrea Kastner, The One That Got Away (2013)

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A. Kastner, The Inventory of Dreams (2014)

A. Kastner, The Inventory of Dreams (2014)

Joy of the Blues

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Small Fishing Boat, Near Port Rexton, Newfoundland

I love playing around with themes. ¬†In an earlier post, I grouped together a bunch of my photos from across Canada that featured a strong element of red. ¬†Today, I thought I’d do a similar thing with some photos that incorporate blues (of the uplifting kind).

Lyssa Kayra’s Inspired Tree Ring Art

Vancouver's Winter (2015)

Lyssa Kayra, Vancouver’s Winter (2016)

Lyssa Kayra’s art is striking! ¬†I love her skillful use of colors and her expressive creativity. Her imaginative large-scale paintings use the form of tree rings — the natural design of which alone makes an intriguing subject and which is suggestive of time and memory — as a means of conveying ideas about specific places that have influenced her.

More info about this wonderful young Vancouver-based artist and her gorgeous work can be found on her artist site here.

Anjuna Textile, India (2015)

Lyssa Kayra, Adjuna Textile, India (2015)

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Berlin Wall (2015)

Lyssa Kaya, Berlin Wall (2015)

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Sahara (2015)

Lyssa Kayra, Sahara (2015)

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Purple Study (2016)

Lyssa Kayra, Purple Study (2016)

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Mod Design: Vintage Postcards of Expo 67

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Canada Forestry and Paper Pavilion

With the Rio Summer Olympics being just around the corner this prompted me to ponder the differences between the Olympics and the World Fairs.  While both are cultural showcases that bring together people of many nations to good-naturedly preen about their countries, World Fairs seem more ad hoc than the more structured, media spectacle of the Olympics.

Coinciding with Canada’s centennial in 1967, Montreal hosted what is considered to be one of the most successful World Fairs, which was the first to adopt the “Expo” moniker by which all subsequent World’s Fairs have been named. ¬†As attested by these postcards, the various national pavilions at Expo 67 served as grand displays for then cutting-edge, very “mod” design and innovation.

Canadian Cities in 1950s Watercolors

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For Canada Day weekend, this post features images that span the geography of this vast country.  Around 1953, in a grand display of national pride, the Montreal-based alcohol and beverage giant Seagram Company commissioned over a dozen Canadian artists (including several among the famed Group of Seven) to create a series of  watercolors of major Canadian cities. The paintings were subsequently the focus of a world tour organized by Seagram to showcase Canada and its urban landscapes.

While recently rummaging through an antique shop I came across a small booklet, dating to 1953, in which these paintings were reproduced and for which this post shows a sampling of the now somewhat faded images.  While many of the provincial capitals are depicted, I find the inclusion of several less prominent cities (including Fort William, Hamilton, Sarnia, Shawinigan Falls and Trois Rivieres) to be fascinating.

St. John's

Calgary

Shawinigan Falls

Charlottetown

Halifax

Montreal

Regina

Quebec City

Saint John

Hamilton

Vancouver

Toronto

Winnipeg

Windsor

Experience Wonder

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Blossoming Peach Grove, Wolfville, N.S.

“The world is full of magic things, patiently waiting for our senses to grow sharper.”

                                                          ~ William Butler Yeats

 

Old Baptist Church, St. Croix Cove, N.S.

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Not far from the Bay of Fundy shore of the northern Annapolis Valley sits this very old and humble Baptist church.  The colored glass windows are adorned simply with a subtle yellow-hued cross motif and a few complementary colors in the other panes.  Every weathered detail of its cedar-shingle exterior and its intimate understated interior testifies to its long history and the many lives and life-stories that have been shared within.

Intricate Pebble Paintings by Kristina Boardman

K. Boardman, Caras Pebbles

Kristina Boardman, “Cara’s Pebbles”

Photo-realistic paintings, such as these by BC-based artist Kristina Boardman,¬†easily fool the casual observer as well as the more-studied eye. ¬†That’s amazing enough! ¬†But in addition, these works of pain-staking exactitude nicely capture the whimsy and pleasure of surveying a shoreline adorned with swaths of smooth-faced multi-colored stones and pebbles that have been¬†thrown together randomly over long periods.

Although the realism of these paintings dictate a dominant blue-gray hue, Boardman wonderfully conveys nuance within that muted palette and complements this with perfect pops of other earth tones and pleasing juxtapositions of size and shape. ¬†The compositions of some of these images, such as “Cara’s Pebbles” (above), suggest small jewels just underfoot.

Among other venues, her¬†work is available at the Ian Tan Gallery in Vancouver and can also be viewed on Boardman’s¬†website here.

K. Boardman, Communication

Kristina Boardman, “Communication”

 

K. Boardman, Saltspring Sunday

Kristina Boardman, “Saltspring Sunday”

 

“Leave a Trail . . .”

Farm Outside Quebec City

Farm Overlooking the St. Lawrence River and the Laurentians, Ile d’Orleans, Quebec

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“Do not go where the path may lead,¬†go instead where there is no path and leave a trail.”

                                          ~ Ralph Waldo Emerson

David Pirrie: Mapping Western Terrains and Our Sense of Place

David Pirrie, Mt Phillips, BC Rockies (2016)

David Pirrie, Mt. Phillips, BC Rockies (2016)

There’s a great deal of pleasure to be found studying maps, replete as they are with seemingly arcane symbols, dots, lines and grids awaiting patient deciphering. ¬† Among the fascinations of Vancouver-based artist David Pirrie is the iconography of maps and how they influence our sense of place, which he nicely explores in a wonderful series of paintings recently exhibited at Vancouver’s Ian Tan Gallery.

Pirrie’s paintings of Canada’s western landscape, particularly of mountains in the Alberta ¬†and British Columbia Rockies, are overlayed with mapping details and pastel hues that display¬†a slight pop art sensibility that is both intriguing and pleasing. ¬†His having climbed many of these mountains adds an element of intimacy to his gorgeous representations of these majestic formations.

More of David Pirrie’s work can be seen at his website here.

David Pirrie, Mt Assiniboine, Late Summer (2016)

David Pirrie, Mt. Assiniboine, Late Summer(2016)

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David Pirrie, Columbia Icefield (2016)

David Pirrie, Columbia Icefield , 1/50,000 (2016)

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David Pirrie, Mt Edith Cavell (2016)

David Pirrie, Mt. Edith Cavell (2016)

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David Pirrie, Kates Needle, BC Coast (2013)

David Pirrie, Kates Needle, BC Coast (2013)

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David Pirrie, Mt Robson Ice Fall (2016)

 David Pirrie, Mt. Robson Ice Fall (2016)

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Annapolis Royal Through Its Signs

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Annapolis Royal, Nova Scotia, is a charming community whose vibrancy is hinted at¬†by the variety of colorful shop signs and other markers found along the town’s main street. ¬†This sampling — I know I missed a few (my apologies) — suggests as much.

Artist to Appreciate: Walter J. Phillips

Walter J. Philips -- York Boat on Lake Winnipeg (1930) v2

Walter J. Phillips, York Boat on Lake Winnipeg (1930)

Walter Joseph Phillips is yet another unquestioned master of magnificent woodcut images of the Canadian landscape.  He often printed his artwork in color inks rather than just black ink as used by many of his contemporaries working in the same medium.  Although born in England, he settled in Canada as a youth and resided in Winnipeg, Manitoba for much of his life (the same place, coincidentally, chosen as a newfound home by another exceptional Canadian woodcut artist and fellow European immigrant, Eric Bregman).  Phillips produced the bulk of his work from the late 1910s through the 1940s.  In many of his images of the Canadian west he situated people within the scene, providing both a sense of scale and nice human emotional element.

Walter J. Philips -- Mount Cathedral & Mount Stephan (1928)

Walter J. Phillips, Mount Cathedral & Mount Stephan (1928)

Walter J. Philips -- Lake of the Woods (1931)

Walter J. Phillips, Lake of the Woods (1931)

Walter J. Philips -- Red River Jig (1931)

Walter J. Phillips, Red River Jig (1931)

Walter J. Philips -- The Clothes Line - Mamalilicoola (1930)

Walter J. Phillips, The Clothesline¬†–Mamalilicoola (B.C.) (1930)

Walter J. Philips -- The Stump (1928) v2

Walter J. Phillips, The Stump (1928)

Quebec Charm in Vintage Postcards

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Jacques Cartier Market, Montreal, Early 1900s

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Similar Posts on O’Canada:

‚Äʬ†Bridges As Depicted in Vintage Postcards

‚Äʬ†“Having a swell time . . .”: Vintage Hospital Postcards

‚Äʬ†The Great Canadian Outdoors: Vintage Rockies Postcards

‚Äʬ†Ever-Bustling 20th Century Toronto

‚Äʬ†Vintage Quebec: ¬†Ox Carts, Dog Carts and Sleighs

Eric Bergman: Master Wood Engraver

H. Eric Bergman, "White Morning" (1932)

H. Eric Bergman, “White Morning” (1932)

The intricate artistry of wood engravings amazes me and Canada has its fair share of accomplished artists in this medium. Chief among them is H. Eric Bergman, who emigrated from Germany in 1913 and made Winnipeg, Manitoba his home throughout a highly productive career until his passing in 1958.  Images from the Canadian wilderness figure prominently in many of his very stylized and moody works.

Similar posts on O’Canada:¬†

‚ÄĘ Lisa Brawn’s Vibrant Woodcuts

‚ÄĘ Laurence Hyde’s Southern Cross

Songs & Ballads from Nova Scotia

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Front Cover Illustration by Reginald Knowles for Helen Creighton, Songs & Ballads from Nova Scotia (1933)

In the late 1920s and early 1930s, Helen Creighton, a  then-budding musicologist, set about criss-crossing Nova Scotia to collect songs peculiar to the province.  In 1933 she published 150 of these songs in Songs & Ballads from Nova Scotia, the first of her many song collections.

I had the good fortune recently to come across a lovely first edition of this book and have enjoyed thumbing through it, while marvelling at the laborious effort reflected in its pages. ¬†Here may be found songs of the sea, of love and its missing, of battle, of children’s play, as well as connections to the English, Scottish, French, Acadian and Mikmaq influences on this rich local music. ¬†The book’s front and back covers are graced with an exquisite woodcut by the noted illustrator, Reginald Knowles, and depict scenes suggestive of the songs within.

Title Page

Title Page, Helen Creighton, Songs & Ballads from Nova Scotia (1933)

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Homeward Bound

“Homeward Bound,” from¬†Helen Creighton, Songs & Ballads from Nova Scotia (1933)

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Devil's Island Scene

Frontispiece Illustration by R. Wilcox for Helen Creighton, Songs & Ballads from Nova Scotia (1933)

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Back Cover Illustration by Reginald Knowles for Helen Creighton, Songs & Ballads from Nova Scotia (1933)

Wintery Inspiration

A. Philbert -- The Dream Country

“The Dream Country” by Andre Philbert

It’s definitely heavy coat and neck scarf weather around here, as it is in many places this time of year, so thoughts of winter cold are unavoidable. ¬†This painting, “The Dream Country,” by Montreal artist, Andre Philbert, with its overwhelming shades of blue and houses set with jaunty rooflines perfectly captures the quiet chill of this time of year. More of Philbert’s deep-blue winter landscapes can be seen at the site for Toronto’s¬†Liss Gallery.

Toward Day’s End at Digby Harbor

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Like P.E.I.’s fame for its mussels harvest, Digby, N.S. is widely acclaimed as a source for some of the East Coast’s best scallops. ¬†The Harbor in Digby is a bustling place as the local fishing fleet accounts for its daily labors. ¬† These photos are from around dusk as things were winding down a bit.

 

Artist to Appreciate: Richard Ahnert

R. Ahnert -- Messenger (2012)

Richard Ahnert, Messenger (2012)

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Richard Ahnert’s anthropomorphic art is both whimsical and brilliantly provocative. This Toronto-based artist paints intriguing¬†images of animals engaged in activities one might expect of weary modern-day¬†city dwellers. While his¬†work harkens back to the playful (and disturbing) posed taxidermy of the Victorian era, Ahnert’s paintings engage the viewer with considerable satire and reflection. ¬†The images here provide only a small glimpse of his range and more of Ahnert’s fascinating paintings can be seen at his website, MyCanvas.ca: Paintings by Richard Ahnert.

R. Ahnert -- Billy Brooklyn (2011)

Richard Ahnert, Billy Brooklyn (2011)

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R. Ahnert -- Commute (2014)

Richard Ahnert, Commute (2014)

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R. Ahnert -- Feed (2014)

Richard Ahnert, Feed (2014)

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R. Ahnert -- First Light (2015)

Richard Ahnert, First Light (2015)

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R. Ahnert -- Panda Wear (2014)

Richard Ahnert, Panda Wear (2014)

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R. Ahnert -- Pride & Ponder (2013)

Richard Ahnert, Pride & Ponder (2013)

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R. Ahnert -- The Hemingway (2013)

Richard Ahnert, The Hemingway (2013)

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