Along Highway 1, Near Middleton, N.S.
Along Highway 1, Near Middleton, N.S.
1. Kristina Boardman’s wonderful pebble paintings, which I highlighted in a post last year, inspired me to take these photos along the shore. Her paintings show why even with the amazing capabilities of digital photography, masterful paintings by talented artists of a given subject capture an expressive element that photos can’t match.
2. Fleet Foxes, one of my favorite folk-rock groups, after a several years’ hiatus released the album “Crack-Up” earlier this year, which contains the song from which the above quote is taken. While the song is principally about Pecknold’s challenging relationship (like most!) with a close friend, like many Fleet Foxes songs it also contains some thoughtful ruminations on life. For me, the line line quoted above conveys nicely how we as people are meant to be social and connected, in varying degrees, and how goodness and purpose flow from that. Song video below.
I came across a news story that led me to a real estate listing for a well-organized junkyard in Tappen, British Columbia with over 300 vintage cars and trucks crammed into 5 acres. Along with the land comes a few buildings and all of the classic junkers to boot. Asking price is almost CDN $1.5 million!
The colorful pictures taken by the selling real estate agency (Century 21 Agent Hudson Purba) are superb, several of which are posted here (more can be viewed on the listing site). This throwback reminds me of Old Car City in northwest Georgia, a salvage yard dating to the 1930s which is filled with truly old rusty vehicles that Mother Nature has slowly reclaimed. Both places are full of eye-candy for photographers and the just plain curious.
(Image credits: Century 21 Agent Hudson Purba)
Evening Sunset, Phinney’s Cove, Nova Scotia
While recently running an errand in Halifax I snapped these manhole covers as examples of subtle industrial design. I didn’t notice as much variety among them as I’ve seen in other cities but that’s probably because I collected these so quickly. Still, there are a few distinctive examples to see, including one that’s a square cover formed by two triangles.
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During a recent visit to the Low Tide Gallery in Bridgetown, N.S., I encountered the colorfully vibrant work of Denny Lunn. He is a self-taught artist who first took up painting in his mid-70s and whose style is best described as being within the folk art tradition.
Lunn lives in the Annapolis Valley area and, like many folk artists, his subject matter reflects his community, which for him are the coastal and agricultural landscapes of Nova Scotia. These are scenes that I suspect many Canadians are familiar with — depictions of the maritime shore, lobster and fishing boats, winter skating and hockey, and cows in pastures that joyfully capture the province’s landscape in bright colors. For Lunn just about any available surface suffices as a canvas for his art, including fishing buoys, shovels, hand saws, paddles, milk buckets, baking tins, rocks, driftwood or any other utilitarian or natural object readily at hand, with every nook and cranny becoming filled with glorious detail.
Some of the imagery takes artistic license and doesn’t fit with the actual landscape but nevertheless conveys a consistent imaginative sensibility. Thus, in some of Lunn’s paintings snow-covered mountain peaks hover in the background while boats sail along in summer waters.
Low Tide Gallery proprietor Steve Skafte, who is a writer, fine art photographer and genuinely nice fellow with terrific insights and is passionate about the authenticity of Lunn’s art, deserves great credit for helping bring more attention to Lunn. Skafte created the above documentary video and this coming Sunday, July 30, his gallery will kick off a showcase of Lunn’s work. It will be well worth visiting if you are nearby. When Canadians think of folk artists, fellow Nova Scotian Maud Lewis frequently comes to mind (the Nova Scotia Gallery of Art has an exhibit of her work) and she was certainly one of the country’s more prominent such artists. I believe Lunn deserves to be in her company.
More about Lunn’s work and the gallery is available on the Low Tide Gallery Facebook page.
Although these vintage images only showcase a humble gas station they’re amazingly good! That’s because they combine the modernist industrial design of distinguished Toronto architect John Parkin and the often-dramatic photography of Hugh Robertson and his team at Toronto’s former Panda Associates firm, both of whom helped popularize modern design in Canada during the 1950s and 60s.
A trove of other vintage architectural photos can be seen at the Panda Associates Digital Image Collection, Canadian Architectural Archives, which is maintained by the University of Calgary, and in the book John C. Parkin, Archives and Photography: Reflections on the Practice and Presentation of Modern Architecture (University of Calgary Press 2013).
(Image Credits: Hugh Robertson/Panda Associates, Canadian Architectural Archives, University of Calgary)
Happy Canada Day!
As many know, throughout 2017 Canada has been marking its 150th anniversary as a confederation. Of course, the history of the country is much richer and extends more than twice as far into the past. More notably, in recent years Canada has truly shined as a stellar example on the world stage. Like any country, it has its issues but it generally gets a lot of things right and that resilient effort, its vibrant culture and its wonderful people deserve immense appreciation.
Best wishes on this day and in this year and for 150 more!
Personal confession: I fit most comfortably in the “spiritual but not religious” persuasion, and especially value the sense of human connectedness and community that touches all of us, which spiritual and religious traditions tend to foster. With that in mind, I thought this post would be fitting for a Sunday.
About a year ago I posted some photos I snapped one late-Spring afternoon of a well-weathered but cozy church picturesquely situated on the Bay of Fundy in the rural community of St. Croix Cove, N.S. As a modest amateur photographer I was happy to see the photos used a few months later to promote a chapel choir concert by Acadia University. Now these images have been put to an even more appropriate use to assist with a just-launched GoFundMe campaign to restore this almost 175-year old structure.
Darla Mitchell, who grew up in the St. Croix Cove area and is one of the organizers of the restoration effort, notes on the GoFundMe site:
“Many people have come to love this little church and the surrounding communities. Countless photographers have admired its simple sturdy lines, people share memories of first communions and every Christmas multiple generations return to fill the church to sing carols, hear the Christmas story and continue the traditions of our grandparents and great grandparents. Most importantly, gathering in fellowship with each other. “
The historic St. Croix Cove Church
Marshes in the Minas Basin, Looking Toward Cape Blomidon, N.S.
Can Spring just come on and get here already?
“The progress of the intellect is to the clearer vision of causes, which neglects surface differences. To the poet, the philosopher, the saint, all things are friendly and sacred, all events profitable, all days holy, all [persons] divine.”
~~ Ralph Waldo Emerson
City Bus on Vancouver Street (about mid-1950s)
Distinctive industrial design reveals itself in many ways and, when done well, can be a genuine pleasure to take in. While the specialness of such design is often difficult to see in our contemporary surroundings, its otherwise subtle impact jumps out when looking back at vintage images. A case in point: the humble municipal bus, operated in Toronto, Montreal, Vancouver, Calgary and other cities across Canada. Over this period theses buses began to display a very mod sensibility as they evolved from the severe boxiness of earlier 1930s and 1940s versions to later, during the 1950s through the 1970s, being adorned with more rounded contours, sleek curves and very stylized lines and chrome elements.
“Large Two Forms” (1966 & 1969), Henry Moore
Toronto’s diversity is reflected in the wide array of public art, especially sculpture, that can be seen on block after block in its downtown core. Encounters with public art as we hustle from place to place provide moments for reflection and inspiration and help to remind us of our connections to deeper things and to one another.
These pieces from out and about merely scratch the surface of the city’s offerings. (I forgot to get the titles for a couple of these pieces.)
Angela Carlsen, “Boulevard Drive In”
If you take creative photography, neon signs and other roadside kitsch and mix them together with a retro-pop art sensibility, for me that’s a winning formula and is the approach taken by Nova Scotia-based artist, Angela Carlsen with her artwork. Much of her recent mixed media art focuses on bygone Americana as a result of her road trips over the last few years through the American West. Vanishing roadside relics, such as those depicted in this sampling, comprise a significant part of both the Canadian and America car cultures, and her work serves as a fitting artistic bridge between them.
Angela Carlsen, “Copper Manor Motel”
Angela Carlsen, “Fresh Donuts”
Angela Carlsen, “Supai Motel”
Angela Carlsen, “Four Winds Motel”
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Abandoned barns, decrepit factories and broken down equipment fascinate me. I ponder the stories behind these once highly functional things that now rest in a decaying state. As testament to the utility of the wheel, the circular form is often present in such man-made landscapes. There’s also the mystery, mundane though it may be, about why particular discarded objects come to be abandoned in a given place and usually piled together randomly with other well-worn debris. The unkempt farm field, the ramshackle shed off to the side of a property or the makeshift junkyard along an overgrown path all withhold such stories.
These photos of old farm equipment are from just such a place alongside a back-country road I happened upon early one morning near Granville Ferry, N.S.
I’m definitely an amateur photographer at best. So I was pleased to be asked recently to allow a photo I’d taken of a simple, well-worn pew inside an old church on the Nova Scotia shore to be used for a poster for an upcoming concert by Acadia University’s distinguished Manning Chapel Choir. Of course, I was more than happy to do so (and the request made my day)!
The sunset concert of Compline, or night prayers, will be sung, appropriately, in a former old church in the small town of Harbourville on the Bay of Fundy about a week before Canada’s Thanksgiving Day. The concert poster is above and the original blog post and series of photos that prompted the request is here. More about the concert and the Manning Chapel Choir can be found here.
Headstones, Old Burying Ground, Halifax
Given its immense size, Canada is blessed with vast forests, sprawling farms and sweeping fields all of green. Adding to previous posts featuring red- and blue-themed photo galleries, this collection showcases many shades of green that I’ve encountered through my photos from coast to coast across Canada.
“I’m so glad you’re here . . .
It helps me realize how beautiful my world is.”
I love playing around with themes. In an earlier post, I grouped together a bunch of my photos from across Canada that featured a strong element of red. Today, I thought I’d do a similar thing with some photos that incorporate blues (of the uplifting kind).
Blossoming Peach Grove, Wolfville, N.S.
“The world is full of magic things, patiently waiting for our senses to grow sharper.”
~ William Butler Yeats
Not far from the Bay of Fundy shore of the northern Annapolis Valley sits this very old and humble Baptist church. The colored glass windows are adorned simply with a subtle yellow-hued cross motif and a few complementary colors in the other panes. Every weathered detail of its cedar-shingle exterior and its intimate understated interior testifies to its long history and the many lives and life-stories that have been shared within.
Moose River, Clementsport, N.S.
Pathway Near the Earthworks, Fort Anne, Annapolis Royal, N.S.
Hillside Cannon, Fort Anne, Annapolis Royal, N.S.
Kejimkujik Seaside, near Liverpool, N.S., is wonderfully peaceful along the north Atlantic coast, a perfect place for quiet reflection and a sun-soaked nap upon its massive granite rocks.
Annapolis Royal occupies a special place in both the far western part of Nova Scotia’s Annapolis Valley and the province’s history. Situated on the sweeping Annapolis River, the site was originally called Habitation at Port-Royal by French settlers around 1605 and was the capital of French Acadia. In 1710, the settlement became the first capital of Nova Scotia during British rule. The charm of this small town is typified by its wide variety of doors and entryways, many of which hint at the town’s early history and its seaside heritage. Here’s a sampling from a recent stroll on a brisk fall day.
Capstick, N.S. (from July 2015 Calendar, Canadian Breast Cancer Foundation)
Occasionally, we all encounter people, situations and things that help to remind us what a small, interconnected world we live in. Yesterday, I had one of those moments when I received this very nice email about part of the property shown in this blog’s header photo of a weathered, wood-shingled barn situated on the Atlantic, which I took several years ago in Capstick, Nova Scotia, a remote and gorgeously beautiful area of Cape Breton:
I must say, very impressed that you would travel all the way up to Capstick, Nova Scotia to take wonderful pictures of that area. Ironically, the lead picture on your O’Canada website is of our family property. Every now and again I do a Google search of images on Capstick to see what pops up and your website did appear.
The picture of the grey home in your Blog called ‘Gentle Waves Near Capstick, Nova Scotia’ is actually my Uncle Peter’s home. Unfortunately, arsonists burned down that home about 3 years ago and my cousin had to go after them in court.
Each year the Canadian Breast Cancer Foundation launches a calendar to raise money called ‘Shop 4 Charity Calendar Sweepstakes’. This year the calendar highlighted a picture representing each Province and Territory in Canada.
As I sat in my home office, the 2015 calendar was up on my cork board and when I flipped to the month of July the Province of Nova Scotia was represented by a picture.
See attached picture.[Note: This is the calendar image above and is of his family’s property. Click on it for higher resolution]
I grew up going to Capstick every summer in the 1970’s and visiting Uncle Peter and Aunt Irene Kanary in that grey home. Our home (the original home from 1914) was just above Uncle Peter’s home closer to the road but it was burned down about 10 years ago.
Our family settled in Capstick back in 1840 from Ireland during the Potato Famine. The community was basically two families, the Capsticks and the Kanary’s. Not sure why they got their name on the community. Must have been there first.
Thought you might find this little tidbit interesting about your own website.
What great history and connection to place. Nice to see that the Canadian Breast Cancer Foundation (and its photographer) also appreciate this scenery. I asked Dave’s permission to post his email here, to which he agreed and added by way of a P.S.:
“PS: You may find this interesting as well, take a look at the history on Google for Calamity Jane (Martha Jane Canary). According to my relatives she is a Kanary (or Canary if you will) from our clan. Some of my own relatives spell their name with a ‘C’ as evidenced by the tombstones in the Capstick graveyard located in Bay St. Lawrence, Cape Breton (about 10 mins away from Capstick).”